I have always liked what Harold Pinter used to say about coughing in the theatre. Never one to mince his words, he called it an act of unconscious aggression. Colourful and curmudgeonly, perhaps, but a valid point.
If coughing is an act of aggression, then what are we to make of the more heinous crimes committed against etiquette? Certainly, more heinous crimes exist. Loudly whispered conversations between patrons clarifying mutually-misunderstood plot points. Mobile phones left on or, worse, answered and used.
This is because a new research indicates that workplace substance misuse buy cheap levitra is on the rise. Low testosterone levitra samples levels cause various debilities and disorders. Forzest is well tested and known to deliver satisfactory tadalafil cipla raindogscine.com results. Examples of unnecessary information include your social security number, etc. levitra 25mg raindogscine.com 3. I once attended a contemporary dance performance to which one man had brought his iPod, only to learn, when it was too late, that the piece had been choreographed to minimalist, mostly silent compositions. For the next two hours, anyone sitting within five rows of G9 was forced to share with the man in that seat his love of German death metal.
But even that is not as bad as it gets. Theatre and dance audiences, for all their shortcomings, have nothing on cinema-goers, and even the majority of cinema-goers don’t have anything on film festival subscribers.
Matthew Clayfield
Matthew Clayfield is a journalist, critic and screenwriter.
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