The year was 1989 and young Australian jazz pianist David Bates was in Edinburgh.
“The city was a kind of cultural mecca for a lot of Australian artists at the time,” the pianist turned entrepreneur recalls. “I first went there in about 1987, but it wasn’t until two years later that I first saw the Spiegeltent.”
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He is speaking of the Famous Spiegeltent, an ornate movable theatre that has become a cultural drawcard in its own right.