Earlier this year, Sam Strong’s production of Harold Pinter’s Ashes to Ashes, which opened the new fortyfivedownstairs, not with a bang, but a whimper, proved that the playwright could survive even the most clumsy and uncomprehending of treatments. The play’s capacity to withstand wear-and-tear – and believe me, this production wore and tore it – spoke loudly of its quality, and of that of Pinter’s work more generally.
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Matthew Clayfield
Matthew Clayfield is a journalist, critic and screenwriter.
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