One of the things I enjoy most about my gig as a wannabe theatre critic is the sheer variety of shows I get exposed to. I’ve attended lavish, three-hour operas at the State Theatre; a post-theatrical installation at the Malthouse; and countless modest, if no less accomplished, productions, lovingly and intelligently staged in the bared-boned attics and basements and convents and courthouses of the inner-city suburbs. While the quality is at times uneven and not every show is entirely successful, such varied and eclectic fare is testament to the wonderful diversity of Melbourne’s theatre scene, a state of affairs for which we should be thankful and must actively encourage and support.
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