Adelle Waldman’s (@adellewaldman) The Love Affairs of Nathaniel P. was one of the best new books I read last year. It could easily have been otherwise. The story of a young male novelist who is selfish and occasionally cruel but not at all without scruples or conscience, it ran the risk, on the one hand, of being a man-eating diatribe and on the other, of alienating readers with the specificity and potential solipsism of the literary milieu in which it is set. Instead, it proved psychologically insightful, criticising and sympathising with its characters in equal measure, a modest debut concerned less with ensuring the pre-eminence of its author than with honestly and fairly exploring the pain that one both causes and receives the course of one’s early romantic and sexual adventures.
The book is notable for its sense of balance, refusing to take sides or apportion too much blame. Or rather it apportions blame proportionally, without an agenda. As Tennessee Williams famously said of A Streetcar Named Desire and its characters: “There are no ‘good’ or ‘bad’ people. Some are a little better or a little worse, but all are activated more by misunderstanding than malice.”
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