It is a cool, moist morning and a hotchpotch of formally attired officials in sashes and curious tourists in T-shirts and thongs are making their way past a bilingual sign down a grassy, gradual incline to the grave.
A small group of schoolchildren carry wreaths and practise their lines to themselves. The local newspaperman is in attendance. Those of us not taking part in the service retire to a terrace overlooking the clearing.
A large French tricolour hangs on a line above the gathering party. Two trumpeters appear and play The Last Post and Reveille, not quite in unison, not quite in tune. A priest emerges from the foliage and everyone grows quiet. Several people bow their heads.
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There’s just one thing: this tomb is empty. It has been for the better part of two centuries.
Matthew Clayfield
Matthew Clayfield is a journalist, critic and screenwriter.
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