Back in my film student days, I set myself an immodest goal: I would write and direct my first feature film by the age of twenty-six.
The number wasn’t chosen at random: Orson Welles was twenty-six when he made Citizen Kane, still considered by many to be the greatest film ever made. (The consensus on this is slowly changing. In 2012, Sight & Sound magazine’s famous poll of critics and filmmakers saw Hitchcock’s Vertigo, a much better film, pip Kane at the post for the first time.) For an ambitious and somewhat delusional wannabe, Welles was an obvious benchmark.
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Matthew Clayfield
Matthew Clayfield is a journalist, critic and screenwriter.
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